12 Feb 2018
World Music artist Sheila Chandra calls for ordinary working people to recognise the artist talent in their own ranks and financially reward it, proudly and joyfully. And to recognise that doing so is a way of ‘supporting our own’ - a political act that will fund the greater good.
14 Nov 2017
MusicTank, University of Westminster is delighted to announce that it is to receive the assets of JazzUK as part of that charity’s formal closure. Central to JazzUK’s work was the provision of online business information with which to further both musicians’ careers and those businesses working in the sector, and it is with that in mind that MusicTank was deemed the most appropriate beneficiary of JazzUKs archive.
19 Oct 2017
MusicTank has published the second part of its ground-breaking research into musicians’ mental health, conducted by Sally Gross and Dr. George Musgrave of University of Westminster. ‘Can Music Make You Sick?’ is an accomplished piece of work, distinguished by it being the world’s largest known academic study into music and mental health, its publication marking the end of this year-long study into anxiety and depression as experienced by both musicians and music industry professionals.
12 Oct 2017
How do new and/ or niche artists cut through the noise in today’s music industry to make a meaningful impression? The fact is they are finding it increasingly difficult to get any attention that can be converted into a sustainable career – despite all the optimistic talk of digital royalties.
13 Jul 2017
Accusations and commentary about alleged 'fake' artists on Spotify playlists have intensified recently, with MusicTank itself commenting on this in both The Times, and on Radio 4’s flagship news and current affairs PM programme,
02 Mar 2017
Speaking at a recent Music 4.5 event on the subject of the future of the record label, artist lawyer Robert Horsfall delivered a speech which in under ten minutes succinctly and deftly highlighted much that is still seemingly wrong with many artist/ label recording contracts.
15 Aug 2016
...an intriguing question for today’s society at a time where success, underrepresentation and gender imbalance are being widely discussed both within the music industry and in the media more generally.
16 Jun 2016
Fast forward to 2017, only time will tell whether we'll be discussing 2016 as positively, should the UK make a #Brexit on June 23, in which case the live sector, exports, manufacturing and copyright reform perhaps stand to loose the most...
19 Nov 2015
Despite operating under International Treaties in a global market, and moving towards a single digital market in Europe, the lack of harmonisation of performers' rights across the EU remains one of the biggest issues. These rich visual summaries capture the key points of a topic unpicked by a passionate panel calling for a "truth and reconciliation process between labels and performers" without which, "the future is very bleak".
21 Oct 2015
The inexorable rise in the growth of streaming services isn't good news for the majority of artists and performers, who currently reap significantly lower royalty payments from an increasing number of licensed streams compared to royalties they derive elsewhere, such as from broadcasts and sales of recordings.
18 Sep 2015
Compulsory Licensing (‘CL’) is an option that has historically been seen as anti-competitive and as closing down a free market in favour of some sort of socialist protectionism for artists. In actual fact, it may just be the platform the digital market needs to open up competition and foster the innovation in services and business models so desperately needed.
17 Sep 2015
I’ve spent quite a lot of time recently wondering whether anybody is actually in charge of government policy with regards to the Arts or whether ministers just randomly make things up as they go along, depending on their current whim...
17 Jul 2015
We know that the transparency technology brings in the digital space allows for grass roots movements to coalesce & drive change like never before. Change is both possible & necessary on many fronts. Today, that front is the inequitable status of commercial radio in the USA and the fight to ensure #fairplayfairpay for all artists, everywhere.
23 Jun 2015
Unlike Germany, Finland has abandoned the levy system in favour of a government remuneration scheme - a system similar to that of Spain. Many have praised Finland’s move as it is encouraging other EU member states away from what is increasingly perceived as an anachronistic levy on devices and blank media.
10 Jun 2015
The idea of a blank media levy is not at all new - the debate has been around since cassette tapes enabled affordable, large-scale private copying, yet with the advent of 3D printing, the concept of making copies of an ‘original’ item is about to enter a whole new dimension.
09 Jun 2015
MusicTank continues its analysis of private copy compensation systems within the EU. Representing the largest recorded music industry in Europe, Germany has been highly influential in laying the foundations for private copy exception, and as such, takes a polar opposite view to Spain and the UK when it comes to compensating rights holders for private copying.
21 May 2015
In the race to legitimacy, those crafting the raw material on which licensed digital services depend - the song - face transparency complexities of Gordian Knot proportions, and which show few signs of abating...
20 May 2015
At the 2015 PRS AGM on Tuesday Robert Ashcroft, PRS for Music's Chief Executive delivered a speech where he drew attention to the hurdles faced by songwriters and publishers that preclude them from getting "fair value" for their work...
30 Apr 2015
Ahead of a forthcoming MusicTank debate on the topic of who pays for the right to copy, beginning with a look at Spain, Arya Rinaldo kick-starts an analysis of the European Copyright Directive regarding the different approaches individual EU member states bring to the issue of rightsholder compensation for private copying...
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