19 Jun 2015
The High Court has ruled against the UK Government in a Judicial Review case brought by BASCA, The MU and UK Music. These three bodies challenged the decision to introduce a private copying exception into UK copyright law, arguing that it was unlawful because it failed to provide fair compensation to rightholders...
15 Jun 2015
The Queen’s Birthday Honours List was announced this weekend and included MusicTank Chair Keith Harris for his time and services to the music industry….
10 Jun 2015
The idea of a blank media levy is not at all new - the debate has been around since cassette tapes enabled affordable, large-scale private copying, yet with the advent of 3D printing, the concept of making copies of an ‘original’ item is about to enter a whole new dimension.
09 Jun 2015
MusicTank continues its analysis of private copy compensation systems within the EU. Representing the largest recorded music industry in Europe, Germany has been highly influential in laying the foundations for private copy exception, and as such, takes a polar opposite view to Spain and the UK when it comes to compensating rights holders for private copying.
21 May 2015
In the race to legitimacy, those crafting the raw material on which licensed digital services depend - the song - face transparency complexities of Gordian Knot proportions, and which show few signs of abating...
20 May 2015
At the 2015 PRS AGM on Tuesday Robert Ashcroft, PRS for Music's Chief Executive delivered a speech where he drew attention to the hurdles faced by songwriters and publishers that preclude them from getting "fair value" for their work...
30 Apr 2015
Ahead of a forthcoming MusicTank debate on the topic of who pays for the right to copy, beginning with a look at Spain, Arya Rinaldo kick-starts an analysis of the European Copyright Directive regarding the different approaches individual EU member states bring to the issue of rightsholder compensation for private copying...
28 Apr 2015
As a society, we seem to acknowledge that music is a good thing for kids to do and that it is culturally and commercially important with the UK Music sector punching well above its weight globally and generating big numbers for UK plc, but we don’t really believe it. Not deep down. Not enough to invest and get behind it like we do sport or science...
15 Apr 2015
Earlier this month, MusicTank published the second whitepaper under its Future Thinking strand of activity - Private Copying Of Music: A New Model For Artist Compensation. This paper probes the issue of rightsholder compensation with regards to private copying...
07 Apr 2015
Prithwijit's MA Music Business Management Project paper is an empirical study of the use of social media Big Data to better anticipate consumers’ tastes and better inform A&R processes and decision-making. Event presentation transcript...
02 Apr 2015
With just 3 weeks of their crowdfunding campaign remaining and with 110% of its target raised, Living Indie co-founder Niels Footman shares insight and lessons learned.
01 Apr 2015
In my mind, there is no doubt that the correct conclusion has been reached in the copyright infringement case, at least from a justice point of view. I’m not quite so sure, that in the context of the existing copyright law however that the decision was absolutely correct.
26 Mar 2015
This paper argues for an immediate EU wide statutory introduction of an improved blank tape levy. It proposes an evolution of the concept of private copying and in doing so suggests that this new levy could provide urgently needed remuneration to music rights holders...
23 Mar 2015
Rich graphical summaries of MusicTank's big data event - 'Moneyballing Music: Big Data, Consumers And A&R', 10 March 2015.
04 Mar 2015
Retail is indeed a diverse, complex and multi-channel connector between creators and consumers. Innovation in retail needs to be met with similar innovation in music – in particular, music licensing, especially music publishing... licensing content ‘at any cost’ is simply not an option for rights holders, anymore than it is for the historically low-margin music retail sector.
03 Mar 2015
Big data often refers to the very large and highly complex data-sets thrown off by global online consumer activity, particularly arising from social media. For the most part, big data is being used to help understand what has happened in the recent past – it also has the potential to be used to predict the future likelihood of success.
27 Feb 2015
We must not allow the dominant players in our supply side industry to use their oligopolostic power misguidedly to pervert the market to what they may see as their short term advantage, at the cost of the diversity and opportunity in the market that we love, and of the album format, which sustains our retail partners, allows artists the form of expression they need, and fans the format they want.
27 Feb 2015
Ahead of Music Tank’s upcoming event ‘Moneyballing Music: Big Data, Consumers And A&R’ this blog looks to explore the varying roles that big data plays in the music industry. Big data often refers to ‘the very large and highly complex data sets thrown off by global online consumer activity, particularly arising from social media activity such as on Twitter, Facebook, YouTube or from page-views of sits such as Wikipedia’
25 Feb 2015
Brian Message's ERA Manifesto launch speech, focusing on transparency, NDA's and the broken economic cycle between artist, label and consumer.
19 Feb 2015
Prithwijit's video introduces you to our March 10th think tank. This event will consider how the recorded music industry is currently collecting and using data to support a historically subjective process of signing new artists, and will go on to look at the potential of smart data for the wider industry...
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