20 May 2015
At the 2015 PRS AGM on Tuesday Robert Ashcroft, PRS for Music's Chief Executive delivered a speech where he drew attention to the hurdles faced by songwriters and publishers that preclude them from getting "fair value" for their work...
30 Apr 2015
Ahead of a forthcoming MusicTank debate on the topic of who pays for the right to copy, beginning with a look at Spain, Arya Rinaldo kick-starts an analysis of the European Copyright Directive regarding the different approaches individual EU member states bring to the issue of rightsholder compensation for private copying...
28 Apr 2015
As a society, we seem to acknowledge that music is a good thing for kids to do and that it is culturally and commercially important with the UK Music sector punching well above its weight globally and generating big numbers for UK plc, but we don’t really believe it. Not deep down. Not enough to invest and get behind it like we do sport or science...
15 Apr 2015
Earlier this month, MusicTank published the second whitepaper under its Future Thinking strand of activity - Private Copying Of Music: A New Model For Artist Compensation. This paper probes the issue of rightsholder compensation with regards to private copying...
26 Mar 2015
This paper argues for an immediate EU wide statutory introduction of an improved blank tape levy. It proposes an evolution of the concept of private copying and in doing so suggests that this new levy could provide urgently needed remuneration to music rights holders...
10 Feb 2015
The music industry can be forgiven for feeling hard done-by of late – with two pieces of legislation recently given the bums rush by UK Government plc. This lack of support on key areas of policy is worrying given the sector’s net contribution to the UK Economy (worth £3.6bn in 2013), and is out of step with the burgeoning UK creative and cultural sector which is increasingly looked upon as being a key driver in pulling the EU out of recession.
13 Jan 2015
MUSICTANK TICKETING COVERAGE: EVENTS AND WRITE UPS Read more at http://musictank.swddev.com/blog/ticketing/#vVBphtPg5efYcYRu.99
11 Dec 2014
The simple truth is that the vast majority of small capacity live music venues ironically can’t sustain themselves solely through live music; rather they cross-subsidise live music from the profit made by club nights and private hires. It’s a pretty grim state of affairs. “…the ‘rule book’ for the small venue sector was written in the 70s, little has changed since and there’s been a definite lack in asking for what we need...it’s time to do something radical.” Mark Davyd - Music Venue Trust
10 Sep 2014
If we are going to get a coherent policy that doesn’t change with each new Secretary of State, let’s hope the roll call of past and current policy contradictions spanning music education, noise abatement, the licensing act and the digital economy become less about being pawns in the electioneering game and more about a robust and fully considered music industry policy fit for a connected 21st Century.
04 Sep 2014
"In the recent past, government advisers have sometimes fallen into the trap of seeing the protection of intellectual property and content as a barrier to the growth of technology. I think that perception is changing for the better - creative content drives technology growth, but without support, investment and protection, it will suffer, and the industries that depend on it will suffer, and that includes technology."
23 Jul 2014
Jazz Services are willing and able to keep providing for and supporting the UK’s jazz scene. Instead of despairing, the support from the people at the heart of the jazz scene has helped inspire us to come back better than ever, and we’re eager to live up to the faith they’ve shown in us. Onwards and upwards…
16 Jul 2014
Technology and music - historically, it’s been a difficult marriage. The rapid growth of digital represents an evolutionary leap, impacting creation and production through to distribution and consumption and it feels like we’re now at a cross roads, with one direction signposting incredibly exciting, viable and sustainable new opportunities; the other pointing to a single track road dominated by the on-coming tech-orientated juggernauts of Google, Apple and co. who show little sign of giving way.
08 Apr 2014
Byrne’s recent post, ‘How Will The Wolf Survive: Can Musicians Make A Living In The Streaming Era’ is a very welcome intervention in the streaming debate. He not only takes time to respond to critics of his earlier comments, he also makes some helpful suggestions as to how we might move forward. And his comments couldn’t be timelier...
17 Mar 2014
The opportunities for musical innovation in the digital environment are countless...the digital world is our oyster…the only downside is that you seem have to do it all ‘on spec’..."The Internet somehow confused the right to the free movement of ideas (a concept which I adhere to strongly) with the free movement of work."
19 Feb 2014
On the back of another great year for the live sector that was 2013, and with this year’s festival season waiting in the wings, news of another inquiry into ticketing by another All-Party Group of MPs is unsurprising, and for many working in the live sector and their customers, largely to be welcomed. There is, however, a sense of déjà vu with all this...
16 Jan 2014
Streaming is already a red hot topic for 2014, with the format having grown over 2013 and a high profile publicity campaign warming up for Beats Music, which launches on Tuesday...
26 Sep 2013
I've been watching books. Or rather, not. For the last week or so on my daily zig-zag across the capital I've been trying to spot people reading books. I think for the purposes of informal but informative data collection..
09 Jul 2013
I have always been a disabled person and loved live music. In the mid ‘90s I was at a festival and in those days, there was no access. In struggling to keep my front row place facing the stage, I got my neck trapped on the barrier. My thoughts were to get out alive and find a way of making live music accessible! I began to document the experiences of other disabled people at festivals and venues...
09 Jul 2013
We’d like to use this, our 100th editorial, to briefly cast an eye over some of the issues that MusicTank tackled in its first 10 years. Several of our think tanks have been highly topical, with points being made by our speakers that challenged commonly held beliefs.
12 Apr 2013
At serious risk of showing my age, I recall that the first record I ever bought was “She Loves You”, back in 1963. In the intervening fifty years, the world of music has changed beyond recognition. One thing remains, however, compellingly true – that Britain plays a hugely significant global role in the making and playing and enjoying of music...
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06 Jun 2017
NEWS: The next successful music app will be one that break’s Spotify’s editorial stranglehold bit.ly/2rP5HXf by brilliant
05 Jun 2017
NEWS: The act of modern headliners playing a festival does not cause a significant increase in streaming -…