14 May 2014
Remi Harris introduces each of the six main chapters of her recent guide, 'Easy Money? The Definitive UK Guide To Funding Music Projects'. Building on her extensive knowledge of creative industries’ funding Remi Harris considers the six main sources of money: Grants, Friends & Family, Crowdfunding, Sponsorship, Debt and Investment – and the five-stage process essential to securing music business funding.
09 Apr 2014
The UK music survey last year, showing that the value of the creative industries to the UK economy was £3.5 billion a year, should at the very least register and hopefully make people more wary about building a society on the basis of automatic regimentation of children into traditional jobs...
08 Apr 2014
Byrne’s recent post, ‘How Will The Wolf Survive: Can Musicians Make A Living In The Streaming Era’ is a very welcome intervention in the streaming debate. He not only takes time to respond to critics of his earlier comments, he also makes some helpful suggestions as to how we might move forward. And his comments couldn’t be timelier...
28 Mar 2014
Future-gazing is naturally a pastime for many that are interested in the recordings industry. Is it possible that theorising about what is to come might hinder efforts to address current problems or exploit opportunities in the here and now? Is the media’s obsession with the picture of a digital-only recordings business fuelled by mass subscription to ubiquitous streaming services eroding the confidence of those trying to maximise success using the tools at hand?
17 Mar 2014
The opportunities for musical innovation in the digital environment are countless...the digital world is our oyster…the only downside is that you seem have to do it all ‘on spec’..."The Internet somehow confused the right to the free movement of ideas (a concept which I adhere to strongly) with the free movement of work."
19 Feb 2014
On the back of another great year for the live sector that was 2013, and with this year’s festival season waiting in the wings, news of another inquiry into ticketing by another All-Party Group of MPs is unsurprising, and for many working in the live sector and their customers, largely to be welcomed. There is, however, a sense of déjà vu with all this...
10 Feb 2014
Musical Pathways was a project funded by the Big Lottery research programme that assessed the impact which music can have on the identity of young offenders. Here project leader, Patsy Lang of Superact gives us an insight to Musical Pathways and its conclusions...
16 Jan 2014
Streaming is already a red hot topic for 2014, with the format having grown over 2013 and a high profile publicity campaign warming up for Beats Music, which launches on Tuesday...
15 Jan 2014
NME photographer Jenn Five has worked at festivals such as Glastonbury, Reading, and SXSW; as well as photographing a countless roster of bands and artist. Jenn talks about her experiences of getting into the business, and gives some tips on how a budding music photographer should go about getting their foot in the door.
17 Dec 2013
So the BBC is under scrutiny again. The House of Commons Select Committee on The Future of the BBC is meeting to answer questions, which include “what should the BBC be for, and what should be the purpose of public service broadcasting?”...
21 Nov 2013
As we’ve embraced digital marketing as a means to promote concerts and gigs, the noise that the consumer deals with has steadily increased - there is no shortage of sites offering to list a gig, but how many people actually read them?
14 Nov 2013
The Live Music Act recently enjoyed its one-year anniversary, undoing onerous restrictions placed on small venues by the Licensing Act 2003, and ensuring that the UK’s grassroots music scene stays vibrant and, hopefully, gets healthier...
26 Sep 2013
I've been watching books. Or rather, not. For the last week or so on my daily zig-zag across the capital I've been trying to spot people reading books. I think for the purposes of informal but informative data collection..
26 Sep 2013
Today, MusicTank published Easy Money? The Definitive UK Guide to Funding Music Projects, a no-nonsense report by funding expert Remi Harris that does exactly what it says on the tin. It has practical tips and reference lists informed by case studies and interviews with people who have direct experience of the various sources of funding a musician or small music business might wish to consider.
25 Sep 2013
NOW ON SALE, this 'must-read' funding guide puts the finance topic firmly under the spotlight, providing musicians, entrepreneurs, micro-businesses & SMEs with a hands-on answer to the question "how can I get funding for my music project?"
11 Sep 2013
Written by Remi Harris (formerly of AIM, UK Music) Easy Money? The Definitive UK Guide To Funding Music Projects provides musicians, entrepreneurs, micro-businesses & SMEs with a hands-on answer to the question ‘how can I get funding for my music project?’ SAVE £10 - PRE-ORDER NOW!
09 Jul 2013
Getting funding for music seems to be an obsession at the moment, with the launch of several new schemes this year alone to provide loans, investment and grants to music companies for artist development, most recently Momentum Music.
09 Jul 2013
I have always been a disabled person and loved live music. In the mid ‘90s I was at a festival and in those days, there was no access. In struggling to keep my front row place facing the stage, I got my neck trapped on the barrier. My thoughts were to get out alive and find a way of making live music accessible! I began to document the experiences of other disabled people at festivals and venues...
09 Jul 2013
We’d like to use this, our 100th editorial, to briefly cast an eye over some of the issues that MusicTank tackled in its first 10 years. Several of our think tanks have been highly topical, with points being made by our speakers that challenged commonly held beliefs.
09 Jul 2013
Creativity in music and the arts is what makes our lives worth living…immersive public experiences, daringly and passionately curated, will make our lives more liveable in a more enjoyable future.
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